Women Need True Power — Jennifer Gibbs

March 8 is celebrated globally as International Women’s Day (IWD). Originally organized by the Socialist Party of America, the celebrations first took place in February 1909 and were called International Working Women’s Day.  Big Drum Nation is commemorating the occasion by posting women’s reflections on the struggle for equality.
Every year the celebrations embrace a special theme reflecting the urgency of the moment. This year, proceeding from the World Economic Forum’s prediction that the gender gap is unlikely to close entirely until 2186, the theme addresses this unacceptable state of gender inequity as a human rights urgency. Big Drum Nation joins IWD in the campaign to #BeBoldForChange following up on last year’s Pledge for Parity Campaign. It is a quest for women and girls to achieve their ambitions, challenge conscious and unconscious gender bias, push for gender balanced leadership, value women’s equality, encourage inclusive flexible cultures, and for more gender inclusiveness.
We asked buy Agile Bits 1Password 5 MAC Jennifer Gibbs  what International Women’s Day means to her. Here’s her response:

Berkeley Dissertation “Thanks for the info and this is my answer: Although some progress has been made, gender equality continues to be a struggle. Unfortunately, unless a great number of women are in places where there is true power, where the decisions and laws that affect them are made, women will not have the same rights as men.”

Jennifer Gibbs is an alum of the Anglican High School (St. Georges, Grenada), and currently the President of the Anglican High School Past Pupil Association in New York.


We salute the women of Grenada who work towards progress, development and equality — Jacqueline Mckenzie

March 8 is celebrated globally as International Women’s Day (IWD). Originally organized by the Socialist Party of America, the celebrations first took place in February 1909 and were called International Working Women’s Day.  Big Drum Nation is commemorating the occasion by posting women’s reflections on the struggle for equality.
Every year the celebrations embrace a special theme reflecting the urgency of the moment. This year, proceeding from the World Economic Forum’s prediction that the gender gap is unlikely to close entirely until 2186, the theme addresses this unacceptable state of gender inequity as a human rights urgency. Big Drum Nation joins IWD in the campaign to #BeBoldForChange following up on last year’s Pledge for Parity Campaign. It is a quest for women and girls to achieve their ambitions, challenge conscious and unconscious gender bias, push for gender balanced leadership, value women’s equality, encourage inclusive flexible cultures, and for more gender inclusiveness.
We asked Jacqueline Mckenzie  what International Women’s Day means to her. Here’s her response:
Online Cv Creator “On this International Women’s Day we salute and celebrate with the women of Grenada who work towards progress, development and equality. We salute the farmers and agricultural workers; the road workers, cleaners, hotel and house workers; the home makers; the teachers and educators; the nurses and doctors; the engineers, architects, builders and innovators; the activists, campaigners and champions of human rights; the artists, musicians, writers, craft workers and preservers of culture and heritage; the environmentalists; the leaders and public officials who safeguard our people and our land; the wealth creators who respect the rights of workers and the brave trade unionists who won’t bow; the survivors of abuse and domestic violence; the mothers who create, nurture and provide despite…; the young women and girls who hold their heads up high despite…; the women of Grenada who today might cry, smile, sigh, kiss their teeth, struggle, explain, console, believe, love, be fearful, be hopeful; the beautiful Grenadian woman, protector of our nation and guarantor of our future.”
Jacqueline McKenzie is a UK based lawyer specializing in migration, asylum and refugee law. She lectures in migration law and is the founder of the Organization of Migration Advice and Research which works pro bono with refugees and women who have been trafficked to the UK. Jacqueline was born in England of Grenadian and Jamaican parentage and lived in Grenada between 1975 and 1981 attending St Joseph’s Convent and the Institute for Further Education. Jacqueline is passionate about Grenada and is also a founding member of the Grenada Development Network.

 


Women’s Rights are Human Rights — Keisha-Gaye Anderson

March 8 is celebrated globally as International Women’s Day (IWD). Originally organized by the Socialist Party of America, the celebrations first took place in February 1909 and were called International Working Women’s Day.  Big Drum Nation is commemorating the occasion by posting women’s reflections on the struggle for equality.
Every year the celebrations embrace a special theme reflecting the urgency of the moment. This year, proceeding from the World Economic Forum’s prediction that the gender gap is unlikely to close entirely until 2186, the theme addresses this unacceptable state of gender inequity as a human rights urgency. Big Drum Nation joins IWD in the campaign to #BeBoldForChange following up on last year’s Pledge for Parity Campaign. It is a quest for women and girls to achieve their ambitions, challenge conscious and unconscious gender bias, push for gender balanced leadership, value women’s equality, encourage inclusive flexible cultures, and for more gender inclusiveness.
We asked Jamaican-born poet and writer Keisha-Gaye Anderson  what International Women’s Day means to her. Here’s her response:
College Application Essay Assistance “It is important that this day is earmarked to call attention to women’s issues worldwide. We are witnessing a very important shift in the movement for women’s equality, with the recent women’s marches all over the globe and organized efforts to push against legislation that would further marginalize women or dictate what they should/should not do with their bodies. Never before have we seen such broad awareness and acceptance of the notion that women’s rights are human rights. And given our interconnectedness via media and the internet, I see this movement only growing. In a sense, I liken this to humanity balancing itself to ensure it has a future on this planet. Under patriarchy, women everywhere have suffered so much, for so long, that injustices are calling out to be redressed. Genius is eager to be unleashed. Different ways of organizing society are ready to come to the fore. Human beings as a species cannot thrive while forcefully suppressing more than half of its population. In facing the necessary challenge of bringing about equality for women, may we all reach a higher, healing level of awareness with which to view our world, and each other.”

Keisha-Gaye Anderson is a Jamaican-born poet and creative writer living in Brooklyn, NY. She is the author of the poetry collection Gathering the Waters (Jamii Publishing, December 2014), which was accepted into the Poets House Library. Her writing has been published in a number of national literary journals, literary magazines and anthologies, including Writing the Caribbean, Renaissance Noire, The Killens Review of Arts and Letters, Mosaic Literary Magazine, African Voices Magazine, Streetnotes: Cross Cultural Poetics, Caribbean in Transit Arts Journal, The Mom Egg Review and othersShe is a past participant of the VONA Voices and Callaloo Creative Writing workshops, and was named a fellow by the North Country Institute for Writers of Color. Keisha has also been short listed for the Small Axe Literary Competition. She is a founding poet with Poets for Ayiti. Proceeds from their 2010 chapbook, For the Crowns of Your Heads, helped to rebuild Bibliotheque du Soleil, a library razed during the earthquake in Haiti. She holds an M.F.A. in Creative Writing from The City College, CUNY and regularly leads writing workshops on CUNY campuses. Learn more about Keisha at www.keishagaye.com or at facebook.com/keishagayeanderson. Follow her on Twitter @KeishaGaye1 and Instragram @keishagayeanderson.

You can listen to some of her poems on Soundcloud

“Mask” – Keisha-Gaye Anderson

Celebrating all that is Positive about Being a Woman — Ann Farray

March 8 is celebrated globally as International Women’s Day (IWD). Originally organized by the Socialist Party of America, the celebrations first took place in February 1909 and were called International Working Women’s Day.  Big Drum Nation is commemorating the occasion by posting women’s reflections on the struggle for equality.
Every year the celebrations embrace a special theme reflecting the urgency of the moment. This year, proceeding from the World Economic Forum’s prediction that the gender gap is unlikely to close entirely until 2186, the theme addresses this unacceptable state of gender inequity as a human rights urgency. Big Drum Nation joins IWD in the campaign to #BeBoldForChange following up on last year’s Pledge for Parity Campaign. It is a quest for women and girls to achieve their ambitions, challenge conscious and unconscious gender bias, push for gender balanced leadership, value women’s equality, encourage inclusive flexible cultures, and for more gender inclusiveness.
We asked sister http://elmaservice.com/?anke-visan-dissertation Anke Visan Dissertation Ann Farray of Montreal  what International Women’s Day means to her. Here’s her response:

http://gocrossfit.com/a-m-commerce-library-dissertation/ A M Commerce Library Dissertation “International Women’s Day allows for the celebration of all that is positive about being women.  It is also a platform to “agitate” for more that is due us … and should have been ‘naturally’ afforded.  Through my experience, it is mainly those who have felt “left out” or “disenfranchised” who have to seek validation through the means of having a “special” day to commemorate and validate their rightful place in this life.   So I salute us women and girls… on the way to womanhood.  Have a happy celebration…”

Ann Farray is a survivor, community and humanity supporter. She lives in Montreal, Canada.


Bob Marley 1 : 0 Reggae Boys — Richard Grant

03/05/2017

Richard Grant

It is Pan-African, Pan-Caribbean, Pan-World. It is Pan Man. It endears Jamaica to the entire world; the essence of the Rastaman Bob Marley’s music and philosophy. It is One Love. The One Love ideal of social relations works well as a cultural and political construct. It is inclusive; a necessary myth for nation building, for positive international relations and for world peace, but it severely limits the goal average of Jamaica’s football team.

Let’s get to the point. Jamaicans need to make an important decision on February 6th 2017 about Bob Marley. Betta mus come.

The Reggae Boys team internalized this concept as its philosophy. This truth is a problem. One Love is a curse on the development of Jamaica’s football program. It was a serious blow to the aspirations of their fans to ‘repatriate’ to the motherland in 2010 for the Big Dance – the World Cup Competition in South Africa. Jamaica lost the prestige of the VIP designation it gained in 1998.

The successive failures to regain membership have been blamed on the ridiculous notions of poor planning and lack of vision by the Football Federation; terrible team selection, inexperienced coaching, nonexistent team chemistry, choosing international or foreign born players over locals, appalling organization, infrequent quality practice games prior to qualifying competition and even the absence of Usain Bolt from the squad. That is absurd.

“The great Brazilian teams of the past transformed the rhythms of their culture into a mesmerizing strategy that was destructive to their opponents’ resolve.” Frankly, the Samba analogy is trite and patronizing.

On the other hand, One Love is too deeply ingrained in Jamaican musical culture as a peaceful concept for it to acquire the deadly attributes of a weapon of war; a necessary condition for success in the arms race of the modern game of football. How ironic is it that Reggae music was such a tremendous source of inspiration for the South African revolution, yet the Reggae Boys are more deserving of the Noble Peace Prize than was president Obama.

Context: The genesis of the problem

Michael Manley, Bob Marley, Edward Seaga

“Oneness” a part of the collective consciousness since emancipation, is a symbol of confidence, perseverance, survival and primarily, hope. It is promoted as a unifying concept in the lie of our motto, “Out of many we are one.”

It is in our proverbs, “one, one coco full basket”, suggesting a progressively linear, deliberate economic, societal, and individual development. It plays a role in romance. “All mih want is one chance, putus”, a young man will plead with the object of his desire, confident that if allowed just one opportunity to prove himself, their lives will be happy forever; his partner’s, even more blissful than his. Why ask for only one chance though? How limiting? {Smh}.

Nigerian icon Fela Anikulapo Kuti

The psychology of Oneness preceded Bob Marley. However, he is singularly responsible for Jamaica’s One Love image around the world. A Nigerian taxi driver asked me once, “You from Bob Marley country?” I answered, “You from Fela Kuti country?”. We compared cultural notes for over an hour. He did not mind missing fares as a discussion about Bob, Jamaica and Reggae music was too interesting to abandon. He asked sarcastically if the Reggae Boys would ever return to the W.C., smiled, and started humming One Love. With a wink, he wished me good luck, and slowly drove away. How insightful was the connection between the Reggae Boys and One Love !

Context

The Reggae Boyz

Opposing teams come to The Office, as the national stadium located in Kingston, is called, full of confidence that they need to score only one goal to secure a win, or worse, to tie the game. Ironically, the enthusiastic, yet oblivious Jamaican fans will chant, “One Love.” The opposing team hears, “one heart. Let’s get together and feel all right”, as if the setting were a Peace Concert by the sea. What is the message to the defense? Should the forwards be saying “welcome to Jamaica? Be sure to visit the Bob Marley Museum before you leave our beautiful island. Don’t forget the souvenirs. Have you tried the best beer in CONCACAF?”

Football Diplomacy? Reggae Ambassadors?

It gives the impression that hosting a World Cup qualifying game, were a joint promotion by the JFF and the Jamaica Tourist Board. We should not forget the latter’s television commercial of the recent past, “Come back to the way things used to be.” The announcement then was, Make Jamaica great again! This scenario frames a confusing message which conditions the team to mediocrity and failure. It caps a limit on achievement. Who plays intentionally for only a 1:0 victory, unless it’s in the final minutes of a game? Begging putus for only one chance can be excused as age appropriate indiscretion of youth. Demanding One Love of a national football team is treason. Marley’s masterpiece applied in the wrong context; One Love’s unintended consequences.

Pan

Conclusion

The day of reckoning is February 6th , 2017. When I analyze this thing, the current state of the Jamaican football program, it makes a lot of sense that redemption will come only through a thorough rejection of One Love. Jamaicans should no longer deny the obvious. Even though unintentional, it stymied the development of Jamaica’s football. The critics of this proposal will shout, “ambush”, “blasphemy”. Their complaint is emotionally driven. “What do they know of football who only One Love know?”

Bob’s One Love, conditioned the team to fail. It is obvious that he would understand the need to denounce it. He was passionate about the game, and would not stand in the way. The supporters of the team, the Football Federation and the Jamaican people must come to terms with this alternative fact, and reconcile themselves to the necessity of a rebellion against their connection, conscious and unconscious, to the mental slavery of One Love in the context of football competition. Only Jamaicans can cure their own minds. Let’s celebrate a new Emancipation Day on Feb. 6th, 2017.

Long live Jamaican football!

Richard Grant is a freelance writer.

 


Calypso and Canada’s Sir Charles – Caldwell Taylor

 
Calypso is divine spirit and minor goddess in Greek mythology. She has a golden singing voice and, indeed, her vocal prowess imprisoned  the great Odysseus on the island of Ogygia.

You hear voice!

Sir Charles George Douglas Roberts

Many, many, many, many years later the presumptive Father of Canadian poetry, Sir Charles George Douglas Roberts (1860-1936), came  to Trinidad where he asserted that the real origin of the Caribbean song form known as calypso http://stephtemple.co.uk/?dissertation-for-nurses Dissertation For Nurses  came from the Greek islands.
And the deathless Spoiler jump up and he bawl:“Ah wan to fall”.
CT



“East of Flatbush, North of Love” by Danielle Brown, Ph.D.

A Review by Jeff Hercules

If one word were acceptable as a review of Dr. Danielle Brown’s Pay Someone To Do My Dissertation East of Flatbush, North of Love; An Ethnography of Home, the word would be, How To Write Persuasive Speech ‘Wow!

All that would be left is for me to Patchogue Medford Library Homework Help explain my review.

It’s not often I read a book that speaks as if it were a replay of aspects of my life: This book does that.

It’s not everyday I realize a book has information that would have made me a more knowledgeable student in school: This book would have done that.

It’s also not everyday I identify with an author to the extent I feel flashes of kindred spirit, if kindred spirits can flash that is.

Do not be fooled by the number of pages this author takes to tell her story. Writing experts say take as many pages as you need. However, the 180 pages Dr. Brown takes to tell the tale of what she calls a, “few snippets of my life”, is deceptive. Her travels, the stops she makes along the way — both in real time and through time — along with the nuggets of information she provides would take anyone trying to summarize it all at least twice as many pages.

This book, the first of its kind from anyone as far as I am aware, chronicles aspects of her life in Brooklyn NY once born to, and raised by her immigrant Trinidadian parents.

In the spirit of it taking a village to raise a child, her early influences include more than what were Trinidadian. In fact, she would have been a centipede for her feet to be in all the worlds into which she was born. In the book, she focuses on the culture and heritage of the world of her parents and family members back in Trinidad and Tobago.

Parang Musicians Serenading

To label Dr. Brown a Trini who just happened to be born in Brooklyn would be superficial if not meaningless in its simplicity. From her book, it is obvious she knows more about her genealogy than the average Trinbagonian knows about theirs. She also knows more about the history of the country than its average citizen. Include me in both groups. I now know that along with not paranging the wrong house, parranderos’ song selection is based on where they are in the serenade. 

By the end of the book, I felt I knew Dr. Brown. Not all her experiences growing up in Brooklyn were my experiences growing up decades earlier in Trinidad and Tobago but, cut tails link us. My generation being closer to that of her parents made for some interesting reactions as I absorbed the book. Should I look at her sternly for fidgeting in church or, should I nod, thinking, “yes, dem services real long, ent?”

She uses over 100 musical pieces, mostly calypso and Soca, cueing up a different selection to set the tone and mood for a different section of her story. You want to set the scene for ,  Part II: Of Ghosts and Obeah? Kitchener has Love in the Cemetery and Sparrow, Obeah Wedding.

Labor Day Carnival 2014, Brooklyn, New York

But, with music being her forte, she includes enough non-Trini music to show her breadth. If Kitchener predates you and Sparrow is but a bird, you will be happy when she cues up Draze for her lament about the effects of gentrification.

Yes, I would argue 100 plus cues in 180 pages shows both depth and breadth of someone whose musical research has focused on parang.

Dr. Brown identifies what is important by how much time she spends on that topic: Religion is important. Family is important. Culture is important. Self is important.

I am still debating when would have been better to know her story was as she described — snippets of her life; before or after she told it. Would I have had my initial struggle to align with the book’s style if I had had known that David Foster Wallace Essays before? In the end, it may be of little importance.

Dr. Danielle Brown reading from her book, “East of Flatbush, North of Love”

All the book’s footnotes? Dr. Brown had been steeped in academia. Still, I enjoyed the reference to The Andrew Sisters and Rum and Coca Cola. I had waited for an opening to dispute reference to Morey Amsterdam and ownership of the song only to have Dr. Brown neutralize my planned counterpunch by recognizing Lord Invader in the mini scandal over the song.

Read the book for details.

The snippets of her life she had shared did not slake my thirst so I sought out more information about Dr. Brown. Now I know my membership in the Trinidad and Tobago diaspora meant I was targeted for reading her book. She said as much before realizing how wide a net she wanted to cast for readers. In her amended view, anyone who could read should read the book.

When I searched local Trini newspapers online using the book’s title, I did not get any hits. Not good.

So, to go along with my early, ‘Wow!, of approval, let me add this: If you are part of the  Caribbean diaspora you should read this book.

If you are part of the Trinidad and Tobago diaspora you have to read this book. Everyone else is invited.

Jeff Hercules blogs weekly on all things Trini at www.trinispeak.com. He has begun pulling his various writing projects into one location: Visit www.jeffhercules.com for that.


Independence and Nation-Making – Caldwell Taylor

 

 Independence and Nation-Making

 by Caldwell Taylor

A Nation is the ecstatic electricity that inhabits May Fortune’s* voice

Big Drum dance

A Nation is the healing thunder of Sugar Adams’ * drum
A Nation is a concert of comforting conceits
A Nation is  the repository of our dreams
And a Nation is the insurgent sea that lifts our boats
our nets 
our hopes 
our heroes 
our sheroes.
 
A Nation is a site and sight of struggle, a thing calypsonian “Black Wizard” noted:
If you want to get rid of Babylon and build a just Nation
You’ve got to struggle on and on…..”
* May Fortune (1909-1973)
*Furgueson “Sugar”  Adams (1890-1983)  
Caldwell Taylor is a former Grenada diplomat and editor of Big Drum Nation.

February 7, 2016

Happy Earthday to Brother Bob Marley, the Trench Town Messiah – Martin P. Felix

2017-02-06

Martin P. Felix

“Nathanael said to him, Can anything good come out of Nazareth? Philip said to him, Come and see‘. — John 1:46.

Like his biblical counterpart, Bob Marley took a socratic approach to unpack that recurring question loaded with upper class prejudice: “Can anything good come out of Trench Town?” and, with Philipian confidence, answered in the affirmative “…everyone see what’s taking place… / Another page in history.” And indeed it is.

Bob Marley was born on this day, February 6, 72 years ago in rural Nine Miles, Saint Ann, Jamaica but later moved to Trench Town where he spent his formative years. Today, Bob Marley is among the world’s most recognized icons, in the honorable company of Jesus Christ of Nazareth, Che Guevara of Rosario, Argentina, and Frida Kalo of Coyoacán, Mexico.  Marley’s music is credited with inspiring numerous independence struggles around the world, providing a sound track of liberation movements and protests, as well as contributing to the personal intellectual development of many world leaders and activists. His artistry and magnetic personality continues to infect millions around the world even after his untimely death 35 years ago.

Bob’s contributions and legacy include his posthumous induction in the Rock and Roll Hall of Fame, his album “Exodus” having been named Album of the Century by Time Magazine, and his song “One Love” being selected Song of the Millennium by the British Broadcasting Corporation. Marley’s album “Legend” has sold 250,000 copies annually, according to the Nielsen Sound Scan. In 1978, Marley received The United Nations Peace Medal of the Third World. The “Legend” album has surpassed 10 million copies since its release May 8, 1994. That same year, the album received its 10th Platinum Certification. Marley was awarded a Lifetime Achievement Award at the Grammys in 2001. Robert Nester Marley is indeed everliving!

But perhaps the most fitting answer to the question “Can anything good come out of Trench Town?” was the Jamaican government honoring Bob Marley with the country’s highest award, the Order of Merit in 1981.

Clearly among the 20th century’s most prolific writers, philosophers, and charismatic personalities, Bob ‘flew away’ (a la “Rastaman Chant”) on May 11, 1981. This proverbial “stone that the builder refused” is now the global cornerstone of cultural resistance.

“…one man a-walkin’ / And a billion man a-sparkin’ “ – Bob Marley “Rastaman Live Up!”

Martin P. Felix is an editor and regular contributor to BigDrumNation.